Chicago at Curve, Leicester Review

⭐⭐⭐⭐⭐

Chicago at Leicester Curve Dazzles from Curtain Up

Press tickets for review

From the moment the curtain rises at Leicester Curve, revealing the sensational live band in a dramatic, shimmering silhouette, Chicago instantly declares it’s here to entertain, and it does so with flair, class, and style. Playing until this Saturday, this UK tour production is musical theatre done right.

It’s difficult to single out a standout performance, as the entire cast is pitch-perfect. Each performer embodies the sultry, cynical, and satirical world of 1920s Chicago with electric energy. The casting is impeccable, breathing fresh life into every role while staying true to the heart of the classic.

Darren Day is a magnetic Billy Flynn. He’s smooth, bold, and effortlessly commanding and extra bonus points considering he was only in Muriel’s Wedding mere weeks ago. His charisma oozes through every number, making him the perfect choice for the slick lawyer with the dollar signs flashing in his eyes. Janette Manrara (Roxie) and Djalenga Scott (Velma) are a fabulous duo, bringing sass, sophistication, and sky-high kicks — which are as jaw-dropping as they are precise.

Another mention must go to Joshua Lloyd as Amos Hart, Roxie’s long-suffering, lovably naive husband. His rendition of “Mister Cellophane” was touching and tender, providing a beautifully understated counterpoint to the show’s otherwise high-glamour chaos and his invisibility was comical.

Another standout element of this production is the clever integration of the band, conducted by Musical Director Neil MacDonald. Not only does MacDonald lead the jazz-blues score with flair and control, but he also takes the spotlight himself. Setting scenes, engaging with cast and interacting with props.

The showstoppers didn’t stop there… I did warn you! Brenda Edwards as Mama Morton was an absolute force. Her performance of “When You’re Good to Mama” was breathtaking. A quick mention also to Jordan Lee Davies as Mary Sunshine. Davies brought surprise to one of the show’s most memorable character reveals.

The musical numbers from “Cell Block Tango” to “All That Jazz” are executed with power and precision. Every note pays justice to the iconic score. The choreography is razor-sharp and in sync. I absolutely loved hearing the songs and the show just flew by.

Whether you’re a die-hard fan of the original musical or fell in love with the Oscar-winning film, this production will have you agreeing that he really did have it coming.

On until 21 June 2025

2 responses to “Chicago at Curve, Leicester Review”

  1. never seen it before. Went last night. Didn’t go back for the 2nd half. It really must be for those who have not seen the film. There was no set and other than all that jazz the songs were all new to me.

    I went with my friend and we both agreed it wasn’t our thing.

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    1. aw sorry to hear that – i actually love the film so i don’t think it’s that – i think it’s probably that sometimes things are for us and sometimes they’re not – art is subjective after all. i enjoyed the second act a lot more than the first as often is with theatre, it’s a shame you didn’t enjoy it enough to give the second act a shot. the songs are all from the chicago musical which came out long before the movie 🙂

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